Story

A note before the view

Lucky Enough

Manhattan skyline at sunset — The View New York

It’s funny how easily you get used to something extraordinary. For us, waking up every day to the Manhattan skyline became our normal. Every sunrise looked like someone had quietly adjusted the colors of reality. Every sunset seemed suspiciously perfect. The East River put on its daily theater — frantic ferries, lumbering cargo ships, the occasional absurd parade of jet skis — and kept us endlessly entertained. Even the foggy mornings became a kind of comfort, a soft grey blanket over the city, broken now and then by something sobering drifting in from far away, like the smoke from Canada’s wildfires.

And while we’ll always remember the fireworks going off just outside our windows, and the drone shows that made us question what we were looking at, what mattered most wasn’t the spectacle. It was the feeling of belonging — of waking up and realizing we’d stumbled into something we hadn’t earned and couldn’t quite believe. We learned the city through its rhythms, its reflections, its small constant surprises. We came to love transportation of every kind, though if we’re honest, the ferry was always our favorite: quiet, charming, and completely underrated.

So maybe we were spoiled. Maybe we got too used to the daily miracle outside the glass. But we never stopped looking — and this book is what we saw.

Sunrise

Manhattan does not rise slowly. It performs.

Sunrise over the Manhattan skyline — The View New York

You don’t really wake up to this view so much as get recruited by it. The light hits the skyscrapers, the whole skyline goes gold, and suddenly you’re standing at the window with coffee you don’t remember pouring. Down below, FDR Drive fills up with people already late for something, while 40th Street sits locked in the kind of gridlock that makes you wonder if the city is in a hurry or just standing still on principle. Boats cut across the East River. A helicopter clatters past, loud and unbothered. A seaplane drops in uninvited. Somewhere out there a jet catches the first light. We drink our coffee and watch it all happen, every morning, like it’s put on for an audience of two.

Transportation

A daily parade of impatience, ambition, and absurdity.

Boats on the East River — The View New York

Watching the river from up here was like being handed front-row seats to a comedy nobody was directing. The ferries rushed back and forth all day — then quit early, right when we wanted them most. Cargo ships lumbered past hauling cranes and steel, turning the East River into a floating construction site. Seaplanes splashed down like that’s a perfectly normal way to arrive at work. Mega-yachts slid by to remind the rest of us, gently, how rich we weren’t. And then there was the morning hundreds of jet skis appeared out of nowhere and turned the river into an aquatic motorcycle rally. We watched the whole absurd thing unfold from the window, coffee going cold, completely entertained. The ferry stayed our favorite anyway — quiet, charming, and badly underrated.

Sunset

The city does not fade out. It flares.

Manhattan skyline holding the last light — The View New York

The sunsets were almost too much. Oranges and reds and a pink so electric it didn’t look real — the kind of color you’d accuse someone of editing if you hadn’t watched it arrive with your own eyes. We learned to stop whatever we were doing when it started. For a few minutes the buildings held the light, glowing from the side, and then — slowly, then all at once — the windows began to switch on, thousands of them, until the skyline had traded daylight for something quieter and brighter at the same time. We saw it hundreds of times. It never once felt ordinary.

Manhattanhenge

The sun finds the street, and the city loses its mind.

Manhattanhenge alignment down the cross-streets — The View New York

Twice a year, Manhattan lines up with the sun and the whole city briefly loses its composure. Technically it’s just a sunset. In practice, the light drops straight down the cross-streets like a runway lit for something about to land, and people pour into the road to see it — blocking traffic, climbing onto car hoods, holding phones overhead, risking real injury for the shot. From our window we had the version without the crowd: the same impossible alignment, the same few surreal minutes where the grid and the sky agreed to meet, and the city went still in a way it almost never does. Then the light slid off the end of the street, the horns started up again, and it was over for another six months.

Moon

The moonset arrives like a scene no one rehearsed.

Moonset behind the Manhattan skyline — The View New York

You’d expect a chapter called Moon to happen at night. Ours happened at dawn. The moment we waited for was moonset — early morning, the moon sinking slow behind the skyline, slipping between the towers and disappearing one building at a time. It was silent and unhurried and a little unreal, the kind of thing that makes an ordinary Tuesday morning feel briefly significant. No one staged it. No one else was watching. Most mornings it was just us, the coffee, and the moon going down over a city that hadn’t fully woken up yet.

Fourth of July

The city threw a party, and somehow we got the best seats.

Fourth of July fireworks over the East River — The View New York

For two summers — 2022 and 2023 — the Fourth of July fireworks went off right over the East River, directly outside our windows. It was almost too good: thousands of bursts lighting the skyline so bright you’d forget the sun had already set, and then the drone shows, whole constellations rearranging themselves over the water. We watched with friends crowded into the apartment, all of us pretending to be calm about having accidentally landed the best seats in the city. Then in 2024 the show moved to the Hudson. We still caught the edges of it, glowing over the rooftops. It wasn’t the same. But we’d had two years of it exploding in our own backyard, and some things you don’t get to keep — you just get to have remembered them well.

A Note from Santiago

[Closing note — to be written by Santiago. This is where the voice shifts to first person and the author steps forward.]